75. Dirk de Quade van Ravesteyn

Recto: Prometheus bound Verso: Calligraphic exercises

76. German School, Early 16th Century

St. Catherine

77. Circle of Albrecht Dürer

Emblematic and Ornamental Designs; A) Arm with two hands holding a pomegranate B) Arm with two hands C) Ornamental Band

78. Attributed to Jan de Bisschop

Saints Simon, Thomas and Paul, after Durer

79. Johan Kellerthaler

The Abduction of Proserpine

80. German School, late 16th Century

A man sitting atop an elephant

81. Attributed to Gerrit Claesz. Bleker

Elegant company in a landscape

82. Flemish School, late 16th century

Moses and the Brazen Serpent, after Ferrau Fenzoni

83. Flemish School, Late 16th Century

Christ before Pontius Pilate, after Raffaellino da Reggio

84. Follower of Albrecht Dürer

The Apocalypse: St. John Devouring the Book, after Durer

85. After Albrecht Dürer

The Four Witches

86. Attributed to Franz Innocenz Josef Kobell

A pastoral scene with figures by the coast

87. Attributed to Wilhelm von Kaulbach

A mythical warrior killing a stag

88. Franz Innocenz Josef Kobell

A landscape with architectural ruins and a figure in the foreground

89. Follower of Bartholomeus Spranger

Allegory of the Reign of Rudolf II

90. Cornelis Schut

The beheading of St. John the Baptist

91. Albrecht Adam

A man sitting with a lioness and her two cubs

92. Samuel van Hoogstraten

Thisbe discovers the dead Pyramus

93. Christian Wilhelm Ernst Dietrich

Recto: Hagar and Ismael Verso: Figure studies

94. Albert Christophe Dies

Two soldiers resting in a rocky landscape

95. After Bartholomeus Spranger

Hercules

96. Abraham Rademaker

Winter scene with figures being rescued from the ice

97. Asmus Jacob Carstens

Amicitiae Sacrum

98. Attributed to Christian Wilhelm Ernst Dietrich

A pastoral scene with classical ruins and figures in the foreground

99. Karl Ballenberger

The Arms of Hesse

100. Johann Elias Ridinger

A horse

101. Charles Gore

Two watercolors of schooners on the ocean

102. Follower of Nicolas Poussin

A male statue and two nude men

103. Attributed to Raymond Lafage

Alexander and Diogenes

104. French School, 17th Century

Cain and Abel

105. Michel Corneille the Younger

Atlas supporting the celestial globe with Hercules on the right

106. French School, 18th Century

Portrait of a man in profile

107. Baron Dominique Vivant-Denon

Recto: Portrait studies Verso: Hand studies

108. Jean-Honoré Fragonard

The Healing of the Paralytic, after Sir Anthony Van Dyck

109. Paul-Jean Flandrin

Portrait of Jean-Baptiste Massillon, Bishop of Clermont (1663-1742)

110. Franco-Flemish School, circa 1700

The Agony in the Garden

111. Attributed to Antonio Vassilacchi, called L'Aliense

David beheading Goliath

112. Follower of Girolamo Francesco Maria Mazzola, called Parmigianino

The Adoration of the Shepherds

113. Francesco Bartolozzi

Portrait of an elegant woman

114. Attributed to Giovanni Francesco Barbieri, called Guercino

St. Anthony of Padua

115. Bolognese School, 17th Century

The Madonna and Child with Saints Michael and Barbara

116. Continental School, circa 1790

Heaven and Hell

117. North Italian School, circa 1700

Abraham greeting the three Angels

118. Bolognese School, 17th Century

Figures in a landscape with a fortified town surrounded by a lake

119. Attributed to Angelika Kauffmann, R.A.

Recto: A woman carrying two baskets of flowers (Flora?) Verso: Partial study of a male torso

120. Pierre Louis Bouvier

Portrait of Mademoiselle Mars in Muscovite Attire, after Baron Gérard

121. Florentine School, 17th Century

Two Academy studies: A) Standing male nude B) Double sided academy study

122. Luca Giordano, called Fa Presto

St. Francis and St. Andrew